Editorial & Story Development

I write invitations into a shared experience.

A press release asks a community to show up. A screenplay asks an audience to follow. An interactive story asks players to decide what happens next.

The format changes, but the work starts in the same place: making people care. Clear information, voices that sound like people, and stakes that cost something — turning an announcement, a scene, or a game session into something an audience takes part in and remembers.

Click any of those to jump straight to the sample — or keep scrolling to read all three in order.

Bringing People Into the Moment

Hotter Than July Park Picnic / Concert Press Release

Role: Press Release Writer · Skills shown: community communications, event messaging, audience-centered storytelling, and clear public information

Before an audience can participate, they need an invitation that tells them why the moment matters. This release connects a practical event announcement to the larger history of Detroit’s Black Pride celebration—giving readers the details they need while making the occasion feel worth being part of.

Hotter Than July Palmer Park Picnic

Writing Sample · Press Release

Hotter Than July Returns to Palmer Park on Saturday, July 25

The City of Detroit Celebrates 31 Years of Black Pride


FOR IMMEDIATE RELEASE
Contact Chris Sutton
chrissutton@lgbtdetroit.org

Friday DETROIT, MI — LGBT Detroit, America’s Black LGBTQ+ service organization and proud producer of Hotter Than July, invites the community to gather for the return of the annual Hotter Than July Palmer Park Picnic on Saturday, July 25, 2026.

The celebration begins at 12:00 PM at Palmer Park, 910 Merrill Plaisance, Detroit, MI 48203. Admission is free and open to all.

Hotter Than July continues its longstanding tradition of creating space for Black LGBTQ+ Detroiters, their loved ones, and allies to celebrate culture, community, resistance, and radical joy. The Palmer Park Picnic brings that tradition into the open air with a full day of entertainment, connection, resources, and affirming community programming.

“The Palmer Park Picnic is everything,” says A. Nzere Kwabena, Executive Director of LGBT Detroit and co-founder of Hotter Than July. “This homecoming return is about honoring the legacy, energy, and love that have sustained us for three decades.”

Emerging in 1995, Hotter Than July was formed in response to the lack of inclusion and representation experienced by Black LGBT+ individuals within the broader LGBT+ rights movement. The celebration has grown into a multigenerational Detroit tradition rooted in visibility, advocacy, culture, and community care.

“Black Pride events acknowledge and address the unique challenges faced by Black LGBT+ individuals, who experience both racism and homophobia,” says Tiffany Rodgers, Treasurer of the Board, LGBT Detroit. “The Showcase on the Soundstage, Testing Zone, and Mini-Ball, all reflect this commitment.”

Presented by LGBT Detroit and powered by Gilead Sciences, the Palmer Park Picnic will feature a full day of vibrant and affirming programming, including:

  • The Showcase
  • The Testing Zone
  • The Mini-Ball
  • Star Search Looking for Detroit’s next Drag Star
  • Additional community programming and activities throughout the day
Hotter Than July event programming

The Picnic stage will be co-hosted by Cierra Malone and Dominic BluTick with Legendary Cassidy Icon, and DJ Romeo Milliown serving as The Showcase and stage DJ.

The confirmed musical and cultural performers are listed below in alphabetical order:

Charlie B. Keyz

Charlie B. Keyz

DUANE

DUANE

Michigan Pualani Polynesian Dancers

Michigan Pualani Polynesian Dancers

PeJay Eugene

PeJay Eugene

And don’t go anywhere, because Hotter Than July is just getting started!

Detroit, we are searching for the city’s next drag star! From 2:00 PM to 3:00 PM, Star Search takes over Palmer Park as the newest and fiercest performers step into the spotlight, command the stage, and show us exactly why they deserve the crown.

Co-hosted by Cierra Malone and Star, this is where fresh talent meets big energy, bold looks, and unforgettable performances. So whether you are ready to compete or ready to cheer from the crowd, get ready to witness the next name Detroit will be talking about.

Think you have what it takes to be Detroit’s next drag star? Sign up now at HotterThanJuly.org!

Star Search at Hotter Than July

The stage will bring together live music, cultural dance, community hosting, and DJ-driven energy, while Star Search: Detroit’s Next Drag Star highlights the creativity, performance, and competitive spirit of Detroit’s drag community.

“Every beat I drop is a thank you to the community that raised me, embraced me, and inspired me. This night isn’t just about me — it’s about legacy, love, and community,” states DJ Romeo. “I’m proud to stand with my people and celebrate 10+ years of spinning for Detroit’s LGBT+ family.”

“I am honored to be part of this legendary moment in the history of Hotter Than July,” says Legendary Cassidy Icon.

To date, sponsors and community partners for Hotter Than July include:

  • Gilead Sciences
  • CNS Healthcare
  • Community Health Awareness Group
  • ViiV Healthcare
  • Stellantis/Prism
  • Black Bear Brotherhood
  • Bowers Realty & Investments
  • One Church Detroit
  • The Gentleman’s Network
  • Vivent Health Care
Hotter Than July community partners

Additional information regarding the full Hotter Than July weekend schedule, Palmer Park Picnic activities, and featured programming will be announced through LGBT Detroit and Hotter Than July’s official platforms.

About Hotter Than July

Since 1995, Hotter Than July is Detroit’s longstanding celebration of Black LGBTQ+ pride, culture, community, and resistance. Through advocacy, arts and culture, health-focused programming, nightlife, and the annual Picnic in the Park, Hotter Than July creates opportunities for connection, visibility, and joy across generations.

DJ Romeo Milliown

DJ Romeo Milliown
Royal Rumble Entertainment Showcase Host

Cierra Malone

Cierra Malone
Hotter Than July Palmer Park Picnic Stage Host

Dominic BluTick

Dominic BluTick
Hotter Than July Palmer Park Picnic Stage Host

Legendary Cassidy Icon

Legendary Cassidy Icon
Hotter Than July Mini-Ball Host

LGBT Detroit text message opt-in information

Finding the Story Inside the Table

Screenwriting Sample

Dice & Discord

An excerpt from a comedy screenplay about friendship, fantasy, and the unpredictable magic of a tabletop game.

Blockbuster Screenwriting Contest Award Winner

Award Winner
Blockbuster Screenwriting Contest

Chicago Script Awards Semi-Finalist

Semi-Finalist
Chicago Script Awards

IndieBoom Official Selection

Selected
IndieBoom

In this scene, a player’s language crosses a line at the table, another player checks him, and the game master sets the boundary. Contains strong language and a racial slur spoken in character.

EXT. LARGE FIELD OUTSIDE OF THE CASTLE – NOON (V.O.) AXEL A dragon encircles the Tygree field as a large shadow is cast down upon the villagers tending to a herd of sheep on the farm. Chaos ensues as the people start to scream and scatter as the looming threat of a Dragon’s presence grows. People panic, and run to hide as they see the unmistakable shadow of the dragon flying overhead. As the crowd clears out of the center of the city. The three heroes stand resolute while the rest of the village flees in terror. (V.O.) AXEL (WITH GOD-LIKE REVERB) So What do you guys do about it? Talaxia and Tagati just look at each other, and as a fleeing villager bumps into the group, the villager falls to the ground. Only to pick themselves up, dust themselves off, and see the players looking wistfully into the sky appearing to be able to hear a message from above. The villager slowly waves their hands in front of all three players to see if they are conscious. Then Denarion starts to talk to the other two, and the villager runs off frightened by both the dragon AND the sudden jump scare of the player character suddenly coming to life out of nowhere! DENARION/SPENCER Why do you lot not flee from this place? Hath you the strength to best such a foe? TALAXIA/MAVERICK Bro, Seriously!?! You Sound like someone slapped the shit outta you with the King James Bible…. speak normal, please. (V.O.) SPENCER * You’re supposed to act like your character numb nuts. DENARION/SPENCER Hath you the physical prowess to whelm this beast, then mayhap you can assist me. What be your names fellow journeymen? Tagati and Talaxia both look at each other, and then look directly at the camera with a look of confusion. DENARION/SPENCER (in Spencer’s raised aggravated voice) What are your names Dickwads?!?! TALAXIA/MAVERICK AND TAGATI/TRE’VON Ohhhhhhh!!! Tagati and Talaxia both turn their attention to Denarion with an annoyed but enlightened body language. TAGATI/TRE’VON If thats all you wanted man, then next time…. just say dat, Dee!! My name’s Tagati Like T-a-g- Tag… and Gotti….put together Tagati! TALAXIA/MAVERICK Putangina mo!! Just because you wanna be weird don’t mean everybody got do that shit!! Talaxia’s the name, and smacking heads together is my game! The dragon flaps down to the ground quite a ways away from our heroes. It lifts its snout to the sky and Roars while it shoots fire into the air. It then proceeds to pick up a sheep from the field, toss it high up into the air, Shoot it with fire, and catch it with its maw. Crunching down on its lightly roasted lamb dinner, we hear every flambéed sheep bone crack as the dragon continues to devour his meal. INT. MANSION THE GROUP SITTING AT THE TABLE – AFTERNOON Tre’von violently pushes back from the table and throws up his hands while Maverick lifts up out of his chair as they both shout. TRE’VON MAVERICK (SIMULTANEOUSLY) Woah!! Bro what the Hell?! TRE’VON Yoooo! What in the ENTIRE FUCK….was Dat my Nigga?!? Spencer throws up his palms in a dismissive gesture as he says. SPENCER Woah…. chill out, bro…I’m just acting the way my Character would have in this world. Like for real bro, you have heard worse…. like and said just now bro, you literally called me a slur. Imagine if I were to call you “My nig..” — (gets interrupted) Tre’von puts his two fists down on the table in front of him in a stand off-ish position. TRE’VON Then you’d get your ass snatched across this table…Now watch your mouth before Axe has to call the Police on me for stomping your ass out… I can’t stand pigs…they ALWAYS know how to mess up a good time…. Trevon intently stares through his brow at Spencer, and holds the stare just a hair too long to be a friendly joke. Before Spencer turns his attention over to Axel. TRE’VON (CONT.) Maaaan, Where’d you get this corny dude from? cause he about to Fuck around and find out real quick! AXEL Okay Fellas, this is a table where everyone is welcome. So let’s stop for a moment and set some social guard rails up. Tre….this world has a rich history, which includes a lot of allegories and comparisons to real life human history and events. I know this is all new to you, but it might behoove you to learn some of the lore after today. And Spencer… Stop it! This is improv storytelling… and we are all telling a story together. Through these characters… we don’t have scripts…. just a character sheet with spells and stats, so everything that your character says or does is a reflection on you, and what you think about the world…… Now I don’t restrict you to playing good aligned heroes, but if you start making evil choices you have to deal with the consequences, no matter what they may be…. got it? SPENCER Yeah, I guess. Still don’t know why everyone’s so sensitive. It’s in the lore. AXEL Now, can we get back into the game, guys? With that, the two players nod their heads in agreement, but while Spencer looks away in exasperation. Tre looks at Spencer with the most serious side eye. EXT. LARGE FIELD OUTSIDE OF THE CASTLE – AFTERNOON The three adventurers look at each other as if nothing had ever happened and then continue in the same field Talking amongst themselves. TALAXIA/MAVERICK Okaaaaaayyyy…Soooooooo…..Yeaaaaahh…I’m not trying to end up like that. Points to offscreen in the direction of the Dragon. And this armor is probably only going to act like aluminum foil does on a baked potato….Soooooyeeaah…..any Plans guys? DENARION/SPENCER Let’s See it’s an adult red dragon, meaning that is has about 250 hitpoin- Tagati steps forward and opens his arms as a gust of wind begins to swirl around him. A magical glowing Rune of African Script appears between his fingers as he proclaims. TAGATI/TRE’VON okay… I’m gonna take a page from your book Denarion. Tagati plants his feet, takes a deep breath, sticks his chest out and proclaims. I AM the will of nature’s fury made flesh! Leave this Place! Youuu…….. Ya big… Tagati pauses for a moment to think of something epic to call the massive hulking dragon. TAGATI (CONT.) Ya Big Dick!! CUT TO: INT. MANSION THE GROUP SITTING AT THE TABLE – AFTERNOON The four men sit at the table… Spencer and Maverick both take a moment and then break into laughter. The DM Axel also pauses a beat, but instead of laughing he just smiles.

© 2026 Joseph Hunter. All rights reserved. Excerpt shared for portfolio review only.


Comedy screenplay · Screenwriting
Award Winner, Blockbuster Screenwriting Contest · Semi-Finalist, Chicago Script Awards · Selected, IndieBoom

Shared stories are not always neat. Dice & Discord finds comedy, friction, and connection in the moment when a group of friends tries to build a fantasy adventure together. It turns tabletop play into character-driven screenwriting, showing how imagination can reveal personality, conflict, and belonging.

Letting the Audience Shape the Outcome

Role: Writer & Narrative Designer · Skills shown: world-building, dramatic tension, distinct character voices, branching choices, and player-centered storytelling.

Audience of Shadows

Tabletop role-playing game module · Interactive narrative design · World-building

A tabletop role-playing game module is not written for a reader. It is written to be read aloud by a game master who has never met me, to players who will interrupt. There is no art department and no shot list — if the words do not put the throne room in four heads at once, nothing else will.

It has to work in theater of the mind, with nothing on the table but dice. It also has to work for a group that owns a castle, painted miniatures, and a fog machine. The writing does not change; only what the players are looking at while they hear it.

Audience of Shadows is built around a political trap and a villain who never raises his voice. The excerpt runs the same scene two ways — one for a party that approaches the Queen with respect, one for a party that does not — because every scene has to survive being carried somewhere I did not plan. That is what a TTRPG asks for: tension I can structure, voices that stay distinct under pressure, and enough give that the table can make it theirs.

  • Built for theater of the mind no art, no map — and it scales up to miniatures without a rewrite
  • One scene, two ways written to branch on how the players behave
  • A villain defined by refusal characterized by what he declines to acknowledge

Interactive Story Excerpt

Audience of Shadows

A tabletop narrative module by Joseph Hunter

Excerpt Context

The party arrives at the Ojuba palace moments too late to stop a treaty from being signed. The agreement appears defensive, but its language may place Rosevine—a recently revealed forest kingdom—in immediate danger. The game master adapts the scene according to how the players respond.

Cold Open: “So It Is Agreed Then”

The party arrives at the Ojuba palace expecting an audience with the Queen. They are escorted through the halls toward the throne room.

The corridor to the throne room is lined with guards—more than they remember from their last visit. Their posture is perfect. Their eyes do not move. Something about the stillness feels rehearsed, like the entire palace is holding its breath.

As they reach the great doors, they hear a voice from within. Male. Calm. Satisfied. The voice of a man concluding something that went exactly the way he intended.

“So it is agreed then.”

The doors begin to open.

Ade Walks Out

The man who steps through the doors is an elf—dark-skinned, silver-streaked hair pulled back from a face marked with a single red sigil upon the brow. He wears dark plate armor chased in silver, and over it, a cloak of deep royal purple. He is dressed as a king and armored as a soldier, and he wears both like neither costs him anything.

In one hand he carries a staff crowned with pale blue light. In the other, held loosely at his side like a lantern he has forgotten he is holding—a blackened skull, wreathed in golden flame.

He is not surprised to see the party. He was never going to be surprised to see them.

He smiles. Small. Genuine. Like he is pleased.

Then he walks forward—not around them. Through them. The geometry of the corridor forces the party to part for him, and he passes close enough to touch.

The Whisper

As Ade passes Arcrai—and only Arcrai—he slows for half a step. Without turning his head, quietly enough that no one else hears it, he says:

“You keep arriving after the important part.”

Then he is gone.

If the Players Attempt Violence

They cannot reach him. The guards step in before any weapon clears its sheath. The Queen’s voice cuts from the throne room: “NOT in my hall.” Ade never breaks stride. He does not flinch, turn, or acknowledge the attempt. By the time the moment is over, he is gone.

Scene One: The Queen’s Explanation

The throne room feels larger with only one person in it. Her Majesty stands at a long table below the dais, a quill still in her hand. Before her lies a document bearing two seals—one of them still cooling in dark wax. Her Consort stands at the window, back to the room.

The Queen does not speak first. She watches the party enter, her face perfectly and deliberately unreadable. The document on the table is facing them—as if she left it that way on purpose.

If the Players Approach With Respect

The Queen tells them what happened. Three weeks earlier, Jon Zolo stopped being himself for four minutes and seventeen seconds. He disabled twelve guards, broke three containment wards, and crossed two sealed thresholds—then requested a formal diplomatic audience on behalf of Ade of Elvania.

“It was not an attack. It was a demonstration. He was showing me that the only reason my people were alive was that he had decided they should be.”

Two days later, Ade arrived under diplomatic flag. He described a magically concealed kingdom along Ojuba’s wooded border: unknown strength, unknown allegiance, and suddenly visible. Every fact he offered was verifiable—and incomplete.

The treaty states that any newly revealed or magically concealed power along the wooded border that takes hostile action against Elvania or Ojuba will be treated as aggression against all signatories. The language covers Rosevine.

If the Players Approach With Hostility

The Queen does not raise her voice. She does not summon guards. She goes cold.

“Careful. You may question what I knew. You may question what I was told. But you do not walk into my hall and tell me I was wrong to protect my people from a power none of us understood.”

She lets the silence sit until someone adjusts their tone. Then she gives the party the same explanation—not because they earned it, but because they need to understand it.

The Queen’s composure cracks for exactly one sentence:

“He did not lie to me. He did something worse. He gave me just enough truth to make the wrong decision look responsible.”

The Choice That Remains

The treaty is signed and cannot be publicly broken without evidence that Ade deliberately misrepresented his intentions. The Queen cannot undo what was signed—but the party can decide what to investigate, whom to trust, and how far they are willing to go for proof.

“If Ade acted in bad faith—if what he told me was designed to mislead—then that agreement has no moral weight, regardless of its legal standing. Bring me that proof.”

© 2026 Joseph Hunter. All rights reserved. Excerpt shared for portfolio review only.

The Story Continues

These pieces move from invitation, to performance, to participation.

Across every format, I write toward connection: giving people a way into the room, a reason to care, and something meaningful to carry with them after the story ends. I make the purpose clear, the world vivid, and the stakes personal—then leave room for the audience to see themselves in what happens next.